“Skeletons” featuring Tame Impala, The Weeknd & Pharrell Produced by Tame Impala Lyrics: Reine Fiske Kevin Parker Mike Dean The Weeknd Pharrell Williams Travis Scott 8. “Wake Up” featuring The Weeknd Produced by Sevn Thomas, Wallis Lane & Frank Dukes Lyrics: Frank Dukes Travis Scott Wallis Lane Sevn Thomas The Weeknd Mike Dean 9. “5% Tint” Produced by FKi 1st Lyrics: FKi 1st Mike Dean CyHi the Prynce Travis Scott 10. “NC-17” featuring 21 Savage Produced by Boi-1da & Cubeatz Lyrics: Boi-1da Mike Dean Travis Scott 21 Savage Johnny Stefene 11. “Astrothunder” Produced by Frank Dukes, John Mayer, Travis Scott & Thundercat Lyrics: John Mayer Thundercat Frank Dukes Travis Scott 12.
“Yosemite” Produced by Turbo & June James Lyrics: June James Gunna NAV Travis Scott 13. “Can’t Say” featuring Nav Produced by wondaGURL & Frank Dukes Lyrics: WondaGurl London Cyr Travis Scott Sonny Digital Mike Dean Frank Dukes Don Toliver 14.
What!” featuring Migos Produced by 30 Roc &Cardo Lyrics: Cardo Travis Scott Quavo 30 Roc Takeoff 15. “Butterfly Effect” Produced by Murda Beatz Lyrics: Donald Paton Jacques Webster Murda Beatz 16. “Houstonfornication” Produced by Sevn Thomas & Wallis Lane Lyrics: Travis Scott Sevn Thomas Wallis Lane 17.
“Coffee Bean” Produced by Nineteen85 Lyrics: Mike Dean Nineteen85 Tim Suby Travis Scott CyHi the Prynce Stream Travis Scott – Astroworld Album Download Below!!
00:07:41. Travis Scott, Associated Performer, Main Artist - Future, Associated Performer, Featured Artist - 2 Chainz, Associated Performer, Featured Artist - Travis Scott feat. While Lady Gaga was working the avant side of pop, hip-hop was doing the same thing without a true figurehead. Artists from Kid Cudi to A$AP Mob were coming at the genre from all sorts of new angles, but with their feet firmly in the rap camp; then producer Travis Scott came along, sounding like Chief Keef but with a much broader brush, offering an attractive version of acid rap that landed him on Kanye West's GOOD Music label with a debut album that's so 2015 it features the ultra-hip trifecta of Future, the Weeknd, and Justin Bieber.
Make those three a Venn diagram and Scott is the man in the middle, wonderfully weird and as stylish-sounding as the first two, and yet with a slick appeal that crosses over like Bieber, which is the biggest problem for detractors: it's all for show with no filling. Still, with lines like 'Always kept my city on me like it was a Swatch' and 'My dick longer than a Pringle box' over beats that honor and match edgy acts like Death Grips (the raw 'Piss on Your Grave' featuring Kanye West) and Future (who appears alongside 2 Chainz on the sprawling highlight '3500'), Rodeo is an absurd wonder that thankfully works. That's up to and including Bieber, Young Thug, and Scott's bedroom brain-burner 'Maria I'm Drunk,' which is the ultra sheen of Taylor Swift with the lust of Miguel experienced via shrooms. 'Wasted' sounds like Juicy J did an album for Stones Throw, 'Flying High' with Toro y Moi borrows some of Slave's 'Slide' so the indie party people get an anthem, then the very big '90210' travels across decades' worth of film soundtrack styles while sampling the late Pimp C as T.I.
Weird that T.I. Doesn't rap, and weirder still that Scott barely produces on this album, handing it over to returning and like-minded collaborators like Metro Boomin, Ultra$ound, and Mike Dean. His executive producer credit, however, is on point as the aesthetics of his early work are all here, and with 'We designed our love, around these drugs' being the album's most profound lyrical moment, he may not be Nas, but he may be Warhol. As Kanye and Gaga try to bridge the gap between pop and art, this artist thrives in the chasm. Like Warhol said, 'I love plastic, I want to be plastic,' and with Rodeo, Travis Scott becomes a designer drug.
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